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Texts 1-12 of 33
Interview:
Matthew Barney: "Cremaster 3" (Guggenheim)
ART21: How close does the filming process follow the pre-written script and storyboards for Cremaster 3?
9/28/2001
Interview:
Matthew Barney: "Cremaster 3" (Saratoga Race Course)
ART21: How close does the filming process follow the pre-written script and storyboards for Cremaster 3?
9/28/2001
Interview:
Michael Ray Charles: Advertising and Art
ART21: Your work has been identified as being controversial not only for white audiences but also for black audiences. Could you talk a little about this and how you view your own work with respect to this response?
9/28/2001
Interview:
Michael Ray Charles: Memorabilia
ART21: How and why did you start collecting black memorabilia?
9/28/2001
Interview:
Mel Chin: "Knowmad"
ART21: How did Knowmad evolve?
9/28/2001
Interview:
Mel Chin: "Revival Field"
ART21: How did you develop the idea for Revival Field?
9/28/2001
Interview:
Maya Lin: Grand Rapids Ice Rink and Park Project
ART21: What was the initial concept you had in mind for the Grand Rapids park project? What was in your mind’s eye?
9/28/2001
Interview:
Maya Lin: "Groundswell" and Studio Works
ART21: Tell us about Groundswell.
9/28/2001
Interview:
Kerry James Marshall: "Many Mansions"
ART21: How do you feel about this painting from 1995, Many Mansions, and about it being part of the Art Institute of Chicago’s permanent collection? Are you satisfied with it as a work, after all the other works you’ve produced between then and now?
9/28/2001
Interview:
Kerry James Marshall: "Rythm Mastr"
ART21: Let’s talk a bit about the things in your studio right now. What are these comic book drawings here? MARSHALL: Well, what I’m doing right now is redoing a project I did for the Carnegie International this year, which was to develop a comic strip in newspaper form that I could use for a particular installation at the...
9/28/2001
Interview:
Bruce Nauman: Setting a Good Corner
ART21: You’ve made a number of works on video that have a built-in continuous loop. Like the video work from 1967, The Artist is an Amazing Luminous Fountain—the text, spoken and onscreen, seems to repeat endlessly. This is a curious use of video, especially when compared to the way that most things seen on television are...
9/28/2001
Interview:
Bruce Nauman: "Stairway"
ART21: Is there a story behind the stairs? How did this work come about?
9/28/2001
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Texts 1-12 of 33